Giulia Mastrangelo is an Italian artist whose practice investigates the interplay between language and image, exploring contrasts, wordplay, and the multiple layers of meaning that emerge through visual and linguistic inquiry. Trained at the New Academy of Fine Arts in Milan (NABA) and specialized in Art History and Conservation at Ca’ Foscari University of Venice, she situates her work at the intersection of poetry, text, and form. Her artistic process unfolds through the study of different languages, in a dialogue between perception and subjective interpretation. A single word, placed within a chain of words, can generate expanded meanings; the artist’s play lies in creating these connections of significance, revealing the poetic potential embedded in language.
 

Nicolas Fiedler was raised in contact with the Brazilian Atlantic jungle, where he cultivated a sensitivity attuned to organic rhythms and natural geometries, a foundation that continuously shape his approach and research. His works emerge from this dialogue with the natural world, where abstraction and structure converge. Fiedler studied Architecture as a means to prepare for the realization of large-scale art installations, a pursuit culminating in projects such as the Path of Consciousness proposal, presented in 2021 at the European Cultural Center. His practice is defined by a pursuit of balance between abstraction and an impulse to uncover the mathematical logic underlying form, navigating a continuum between the natural and the constructed.
 

The artistic duo Fiedler O Mastrangelo develops a practice that entangles their distinct cultural and artistic upbringings, transforming words into abstraction and ultimately into three-dimensional forms. In their collaborative painting process, Giulia Mastrangelo dictates chains of words or ideograms, which Nicolas Fiedler translates immediately into visual signs, turning creation into a performative exchange. These words are then physically integrated into the paintings, generating a visual language that unites their techniques and approaches, forging a dialogue between perception, language, and form.
 

The duo’s work has been recognized with the “Artefici del Nostro Tempo” award for artists under 35, presented at Pavilion 29 of the Venice Architecture Biennale (2025). Their pieces have been recently exhibited at Murano Illumina il Mondo, Procuratie Vecchie, Piazza San Marco, Venice (2024/2025); the Museo della Permanente, Milan; They were also awarded The Best Sculpture of Premio Arte 2024 by the Italian magazine Arte.
 

For Fiedler O Mastrangelo, language functions as a tool of discovery, extending beyond their native tongues to engage with diverse cultures and perspectives. Their practice is characterized by the tension between poetic metaphor and abstract form, realized through the use of canvas, ink, paper, and acrylic in painting, and Murano glass and bronze in sculpture.
 

The artistic duo has began presenting their work at Palazzo Mora, Venice, Italy (2021) and the Collective Exhibition at Otto Zoo Gallery, Milan, Italy (2021). In 2022, their projects were shown at the French Cultural Institute, Larissa, Greece, the Basilica di San Lorenzo in Lucina, Vatican Rome, Italy, and the Carlton Hotel, Cannes, France. In 2023, they held a personal exhibition at Fondamenta Zorzi 369, Venice, Italy, followed by an exhibition at the Chiesa della Misericordia, Venice, Italy. The year 2024 marked a personal exhibition at Crea Cantieri del Contemporaneo, Venice, Italy, as well as presentations at the Museo della Permanente, Milan, Italy, and the project Murano Illumina il Mondo at the Procuratie Vecchie, San Marco, Venice, Italy (2024/2025). In 2025, their works were featured at RoCollectible – Galleria Rossana Orlandi, Milan, Italy, presented once again at the Carlton Hotel, Cannes, France, and exhibited in Artefici del Nostro Tempo at the Venice Biennale, Pavilion 29, Venice, Italy, as well as in the Aizenev Exhibition, Venice, Italy.